‘Waiting for Beloved Neverwas’
Nine years of waiting for
Beloved
Neverwas.
Nine years is 108 months
Relax - they say -
Stop trying so hard
Have patience
It will happen by itself
108 months of
Expectation
followed by …
clutching at the slightest straws
of late days
phantom hopes and false alarms.
Friends who share your ups and downs
Fall
nervous to tell you
of their
Good News.
Avert your eyes from
passing pushchairs.
Complete strangers,
always men, shout –
Cheer up love it may never happen –
The test results served cold and crisp
like it was a small thing
not the felling of a mighty oak
nine (hundred) years in the growing.
I wanted to prove
to myself
and the world
that I could do it right this time
given a loving man.
You shared my pain
although I could only feel my own.
You chose to stay
Regardless.
A salve to the wound
the doctor said
- give birth to yourself instead.
(above) the original mixed-media collage, made in 1991.
‘Pater Noster; qui es in coelis’
Sad-eyed dignity
held within the frail
fortress of your private space.
I wait alert
standing beside you
to offer an arm, a shoulder, a hug
should the citadel break.
The singer sings sweet and slow
“… who saved a wretch like me…”
but your faith in God and angels
keeps you firm.
Some journeyed hundreds,
some thousands of miles.
Two sons,
two grandsons,
two nephews,
cross arms for strength,
tread measured steps,
like soldiers,
shouldering the weight
of oak and bones.
Their footsteps echo
the beating of our living hearts.
April 2009
This mixed-media painting is a progression of the collage ‘Para Titi’ (below). Ghosts
of the past live alongside the present. It uses drawings of paintings of photos,
of a time and place that no longer exists, as the background wallpaper.
Generations of women are linked as all Mum’s costume and clothes were made by her
mother, painted here by her daughter.
As a girl my Mum was called by the pet name ‘Titi’. This is for her.
surrounded by her Memories,
children, grandchildren, great-grandchildren
This mixed-media painting is a progression of the collage ‘Small World’ and uses
the portrait ‘in his Prime’. It was created by adding layers of paint and line on
top of a monologue text.
‘On a good day’
On a good day
you know my name.
Today you saw only
Phantoms
and addressed your questioning to them.
A shadow
of the man you were.
The man you were
glimpsed
through old correspondence.
Letters of condolences
Thanks
Regret
Academic proposals
Meals-on-wheels tables and menus
Christmas card address labels
Minutes of meetings
A multitude of minutes down the many years.
Although four score and more
your Friday hobby
became writing job applications
with attached CV.
A lifetime of hard graft, achievement and service
concentrated into a succinct
half-page of text.
Like the umpteen boxes of paperwork
crowding the loft
you never threw anything away.
We sift through your life
wearing out the delete button.
Words vanishing from the screen
but alive still as
Phantoms
in your room.
He sits in his chair watching his favourite DVDs on TV, over and over, joking about
not remembering what happens next, or how they end, watching his own mortality slip
away.
The present may be fuzzy and blurred, but the past replays itself in sharp contrast.
The world that was roamed and ravaged by War, rebuilt on the building sites.
Surrounding and enclosing him are the photographic images of the ‘stuff’ of his daily
routine – pill organisers, toiletry needs, pain relief, religious objects… - repeated
day in and day out with the rigour and thoroughness of a naval exercise.
He was always at ease with men. The words on the outer edge are his monologues, some
of many, repeated and told afresh on each visit as if new to our ears.
It has become a small world.
- during the war I served in the navy – on small ships – we escorted the convoys
across the atlantic – the seas around iceland were so cold – if a man went overboard
there was no hope for him – we had to cook our own food – I used to spend all my
money on food when we went onshore – I used to eat half a dozen eggs in one sitting
– we were always hungry – the sea gave you an appetite – I took the exam to get away
from the cold – I was posted to pakistan – you wouldn’t believe what went on in those
places – beheadings – a dirty cruel country – I used to watch out for the ‘pings’
– your mother and I met at a dance – she loved to dance your mother – the catholic
club in gibraltar used to put on these dances so young people could meet – the chaperones
sat around the edge of the room to keep an eye on things – it was like that in those
days – she was a very handsome woman – he was a super bloke – on the job in jamaica
we built the job in record time – we gave the men bonuses to finish ahead of schedule
– they couldn’t believe it – the speed and quality we worked at – I was called back
when you became ill – I used to sell veg from the garden round the houses as a boy
– there was woman who gave me money even when the last ones were sad and tired looking
– people were very good – it made me late for school and some of the priests would
turn a blind eye knowing I was helping to support the family – I made a cart from
an old box and pulled it behind me with the veg inside – my dad was a great gardener
– he could anything grow – lot’s of muck he’d say – jimmy was always a big lad- immensely
strong – tony had a phenomenal intellect – he was in bomb disposal during the war
– they only took the brightest - during the war I served in the navy – on small ships
– we escorted the convoys across the atlantic – the seas around iceland were so cold
– if a man went overboard there was no hope for him – we had to cook our own food
– I used to spend all my money on food when we went onshore – I used to eat half
a dozen eggs in one sitting – we were always hungry – the sea gave you an appetite
– I took the exam to get away from the cold – I was posted to pakistan – you wouldn’t
believe what went on in those places – beheadings – a dirty cruel country – I used
to watch out for the ‘pings’ – your mother and I met at a dance – she loved to dance
your mother – the catholic club in gibraltar used to put on these dances so young
people could meet – the chaperones sat around the edge of the room to keep an eye
on things – it was like that in those days – she was a very handsome woman – he was
a super bloke – on the job in jamaica we built the job in record time – we gave the
men bonuses to finish ahead of schedule – they couldn’t believe it – the speed and
quality we worked at – I was called back when you became ill – I used to sell veg
from the garden round the houses as a boy – there was woman who gave me money even
when the last ones were sad and tired looking – people were very good – it made me
late for school and some of the priests would turn a blind eye knowing I was helping
to support the family – I made a cart from an old box and pulled it behind me with
the veg inside – my dad was a great gardener – he could anything grow – lot’s of
muck he’d say – jimmy was always a big lad- immensely strong – tony had a phenomenal
intellect – he was in bomb disposal during the war – they only took the brightest














‘Dying to get better’
Eyes like a newborn
unfocused and wide,
brimful with marvel
and incomprehension.
Freckled translucent skin
hanging loose over
vivid blue purple veins,
pools of brown bruising
visible, vulnerable, exposed.
Smells creep out from below the sheets,
you lie with safety cot sides up
buffered and framed with pillows.
Weak as a kitten.
Plastered with tubes to feed and save you
with strong medicine.
As you talk, I memorize every detail -
the curve of your forehead
the undulations of your eye sockets.
I want to draw you but daren’t ask.
I catch my mind working out
the combinations of coloured paint
the sequences of actions
to commit that strong head to some immortality
on canvas.
Oxygen tube tucked neatly under your chin...
I came to say “I love you”
in reply
“You have no idea how much I love your mother”
... good enough.
You talk for almost an hour in a barely audible whisper -
competing for air space with your bed neighbour’s radio.
Pop songs mix with the rasping of your breath.
Annie Lennox has an angel playing in her heart -
about the building sites
about the War
something about a German pursuing you here in the ward.
I nod and smile
stroke your hand and arm
through sterile latex gloves
Does this comfort you?
I hope.
There’s nothing more I can do.

‘Demented’
Tucked up,
Neat stripey blue cuffs,
Blankets up to your chin.
Watery blue eyes
open and gazing up mute -
simply.
Am I being good?
Deathcold hands -
curved like claws
and held like paws -
suspended by invisible string.
Shrewd man
cutting and keen.
Man of power,
power and words.
Man of a world of words.
Watery blue eyes
open and gazing up mute -
simply.
Am I being good?
This mixed-media painting owes its style to medieval icon painting.
On closer viewing, the Christ child is dead, the Mother blind with sorrow.
They are surrounded by news images, from war zones around the world, of slaughtered
innocents and their grieving parents.
Beneath the lustre of the frames lie images of spent artillery shells, the end result
of the thriving and profitable arms industry.
‘The Storm’
Morningafter walk in the woods.
Squirrels setting the leafy branches rustling
releasing their watery load
from the stormfilled nightbefore.
Night flashed huge urgent brightwhitelight
across the wideblack sky
moving from West to East
in its thunderous roaring progress.
Morningafter walk in the woods.
Fingers plaiting in tight embrace exchanging
glances heavy with happiness
from the stormfilled nightbefore.
Hearts burned beat urgent sweatsweetnight
cutting the breathless air
moving from There to Here
in its thunderous roaring progress.
The passing down of womanly knowledge and feminine power from mother to daughter
through the generations. (I wanted the mother’s mother in the painting too, but couldn’t
persuade her to sit).
In the Christian faith, Eve gets a bad press. The temptress, the Fall, Knowledge
as sin. Here I wanted to show it as a benign force, a gift.
The sky is dark and stormy while bright sunshine lights the field.
The apple tree has leafburst but no blossom.
The older daughter already holds her apple and smiles.
The younger daughter accepts her apple with inquisitive delight.
The HARE is another fertility symbol, and also represents intuition and ‘crafty’ wisdom.
The HEN symbolises maternal care and procreation.
‘Missing’ is a reworking of a theme explored in 2007. Here the ‘absent’ child is
a bruised void. I used a classic ‘Madonna’ pose to highlight the tender feelings
left without an object of affection.
Below, two of the original trilogy ‘forever… & ever…. Amen’ explore the themes of
miscarriage, phantom pregnancy, and postnatal depression.
I wanted to try to express emotions through paint techniques (knife and drip painting),
and the use of empty but stuffed clothing to represent the absent child.
I had finished painting a portrait of Sybil for my neighbour, Ron. He had been very
kind and welcoming when we first moved to the village. When I hung the picture in
their living room, I noticed her slippers were still placed by her chair, two years
after her death.
Ron kindly sat for this painting. I particularly like the way the curve of his stomach
echoes the curves of the sofa.
It turned out to be a study of enduring love.











‘Eve’s children’
Eve’s children play on Eastern Beach
hot-sun-kissed Eden
sheltering beneath the vertical
of Gibraltar’s granite Rock.
The sisters slap and splash,
brown as berries, bared feet sticky with sand.
Salt-coated giggles and shouts
drown out
the soft-sucking-sounds
of cobalt-blue sea
lapping gold-yellow strand.
“ Atrapame si puedes. Atrapame si puedes.” * *(“Catch me if you can”)
Yards away across the border
Staccato-shots ring out
magnify, multiply, recede, rebound.
Shattering heralds of fight-and-flight
severing you from your future peace-of-mind.
“Por favor no atrapame. Por favor no atrapame.” * *(“Please don’t catch me”)
Fear and Uncertainty,
slip their clammy hands into yours,
lead you on a one-way journey;
constant companions
for your next nine years of growing;
when,
as young women ripe with life,
the guns
finally
fall silent.
Maria, a washerwoman, short-and-plain but quick-of-wit
outlives three husbands and pines crazy-with-love
for Raphael, her numero quatro.
She finds refuge in a corner of your room,
flotsam or jetsam
from the tide of displaced humanity
with ideas
too dangerous to live.
Freemasons, politicos, gay men, Jews
find refuge.
Grandparents, wives with children
set up shop
or camp in doorways,
filling the cracks of any unused space
like pools of liquid sorrow.
All hoping the thin-air of no-man’s-land
will shield them
from cruel beatings and the final bullet.
Or maybe the charm of Britannia’s flag
hoisted high-and-proud over the Governor’s House,
a Pillar-of-Hercules for the dispossessed.
The death knell tolls
the length of Main Street
from Europa Point to Catalan Bay.
St Mary-the-Crowned, Sacred Heart,
the bells St Joseph’s, and Our Lady-of-the-Sea
wail and lament
for Guernica.
Biblical slaughter,
target practice for the Luftwaffe,
a taste of things-to-come.
Some years later, as evacuees, you hear
the sirens over Tottenham Court Road,
sing a similar song
of fiery-hellmouth and lives
blown-to-smithereens.
You tell me stories
of fiesta, fairs
and the deadly game between Man and Bull.
Old-tired eyes flash,
as gnarled fingers and stick-thin arms
mime the graceful fateful dance
of the matador’s “Ole”.
As-if-yesterday,
he stands fragile and slight against
the black of the bull’s bulk,
the roar of the crowd pumping iron into the soul
of Man and Beast alike.
Between bouts
sand is poured over the blood
fast-drying in the blistering heat
of the afternoon sun.
You sit with your children, grandchildren
and great-grandchildren
looking out from photos
framed and hung on papered walls
faded with countless summer suns,
a safe haven
and Paradise regained …
of sorts.
Laura F……., nee Borg (meaning ‘rock’) of Gibraltar and a Hard Place,
The APPLE is a symbol of fertility, love, joyousness, knowledge, and wisdom – the
forbidden fruit.
Brides, like my mother, wore apple blossom in their hair.
“Don’t sit under the apple tree with anyone else but me…”
“Some moving images and stories - most thought provoking. “
"This is a poignant piece of work and brings back memories of Auntie being surrounded by loved ones and the vast number of prayer cards sent in memory of Uncle. You have brought out her serenity and steadfastness.”
“Phew this is very powerful work Ali! The message in the images comes over with force. The poem is very moving. The men's comments touched a nerve as I remember receiving the same just after i heard that a great friend had terminal cancer. The poem and pictures are very emotional, it makes a strong and haunting body of work.”
“What an amazing and moving poem - from so deep within you. Wow, one cannot fail to be moved
It gives so much more depth to the pictures - which speak volumes on their own - but the poem provides he deeper context and meaning. I really like, in the pictures, the contrast of the message with the gentleness and femininity of much of the content.“
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Payment by instalments available on request
Ali Flannery McNab
01444 471562
mcnabali@yahoo.co.uk